| Title | Creator | Description | Picture | Date | Style | Medium | Location |
|---|---|---|---|---|---|---|---|
| Laocoon Group | Athenodoros, Agesander, and Polydorus | h.8' |  |
1st century AD | Hellenistic | marble | Vatican Museums, Rome |
| Storyville | Bearden, Romare | 15 1/2" x 20" |
|
1974 | Harlem Renaissance | collage | |
| London Bomb Damage | Beaton, Cecil | 8"x10" |  |
1940 | Documentary | gelatin silver print | Victoria and Albert Museum, London |
| "Persephone" | Benton, Thomas Heart | 71"x55" |  |
1939 | American Regionalism | oil and tempera | United States |
| David | Bernini | Lifesize |  |
1623 | Mannerism |
marble |
Galleria,
Borghese, Rome |
| Job's Evil Dreams (7:14) | Blake, William | apprx. 9"x12" |  |
c.1818 | Romanticism | watercolor and ink | PierPont Morgan Library, New York |
| The Kiss | Brancusi | 10" x 13" |  |
1912 | Modernism | stone | Philadelphia Museum of Art |
| The City Rises | Boccioni, Umberto | 78 1/2" X 118 1/2" |  |
1910-11 | Italian Futurist | oil on canvas | Museum of Modern Art, N.Y. |
| The Birth of Venus | Botticelli, Sandro | 5' 8 7/8" x 9' 1 7/8" |  |
c. 1480 | Italian high Renaissance | tempera on canvas | Uffizi Gallery, Florence Italy |
| Bath of Diana | Boucher, Francois | 1/2 x 28 3/4" |  |
1742 | Rococo | oil on canvas | Louvre Museum, Paris |
| At the Time of the Louisville Flood | Bourke-White, Margaret | 35mm
format |
 |
1937 | Social
Realism |
photograph |
Time
Life Syndication |
| Fort Peck Dam | Bourke-White, Margaret | First Life Magazine Cover |  |
November 23,1936 | Documentary Photo | photograph | |
| Landscape With the Fall of Icarus | Bruegel, Pieter the Elder | 28" X 44" |  |
1555 | Flemish Renaissance | oil on canvas | Musees royaux des Beaux-Arts de Belgique, Brussels |
| The Tower of Babel | Bruegel, Pieter The Elder | 44" x 61" |  |
1563 | Flemish Renaissance | oil on panel | Kunsthistoris des Museum, Vienna |
| Hunters in the Snow | Brueghel, Pieter the Elder | 46" X 63 3/4" |  |
1565 | Flemish Renaissance | oil on canvas | Knusthistorisches Museum Wien, Vienna |
| Santa Maria del Fiore | Brunelleschi, Talenti, and De Cambio |  |
1296-1512 |
High
Renaissance |
Florence,
Italy |
||
| Creation of Adam | Buonarroti, Michelangelo | 18' 8" X 9' 2" |  |
1208-1512 | High Renaissance | fresco | ceiling panel, The Sistine Chapel, The Vatican, Rome, Italy |
| Madonna Enthroned | Byzantine | 32 1/8" x 19 3/8" |  |
late 13th century | Early Christian | tempera on panel | The National Gallery of Art, Washington D.C. (Mellon Collection) |
| Parthenon | Callicrates and Ictinus | 111x237 ft. at base. |  |
c. 438 BC | Marble | Athens, Greece | |
| The Letter | Cassatt, Mary |  |
1890-91 | Post Impressionism | drypoint and aquatint on cream laid paper | National Gallery of Canada, Ottawa, Canada | |
| The Boating Party | Cassatt, Mary | 35 1/2" x 46 1/2" |  |
1893-94 | Post Impressionism | oil on canvas | National Gallery of Art, Washington D.C. |
| The Dinner Party | Chicago, Judy | 48'
x 42' x 3' |
 |
1979 |
Feminism |
Mixed
media |
The
Dinner Party Trust. © 1979 |
| Madonna Enthroned | Cimabue | 12' 7 1/2" X 7' 4" |  |
c.1280-90 | Italian Pre-Renaissance | tempera on wood | Uffizi Gallery, Florence |
| Voyage of Life: Old Age | Cole, Thomas | 52 1/2" X 77 1/4" |  |
1842 | American Romanticism | oil on canvas | Munson-Williams Proctor Institute, Utica, N.Y. |
| Voyage of Life: Childhood | Cole, Thomas | 52 7/8" X 77 7/8" |  |
1842 | American Romanticism | oil on canvas | Munson-Williams Proctor Institute, Utica, N.Y. |
| Voyage of Life: Manhood | Cole, Thomas | 52 7/8" X 79 3/4", |  |
1842 | American Romanticism | oil on canvas | Munson-Williams Proctor Institute, Utica, N.Y. |
| Expulsion From The Garden of Eden | Cole, Thomas | 97.2 x 35.3cm |  |
1828 | American Romanticism | oil on canvas | M.F.A., Boston |
| Voyage of Life: Youth | Cole, Thomas | 52 7/8" X 76 1/4", |  |
1842 | American Romanticism | oil on canvas | Munson-Williams Practor Institute, Utica, N.Y. |
| The Leaping Horse | Constable, John | 24" X 32" |  |
1824-25 | Romanticism | oil on canvas | Royal Academy of Art, London |
| Brook Watson And the Shark | Copley, John Singleton | 72"x90" |  |
1778 | Neoclassicism | oil on canvas | Museum of Fine Arts, Boston |
| The Stone Breakers | Courbet, Gustave | 5'5"x7'10" |  |
1849(destroyed during World War II) | Realism | oil on canvas | formerly in State Picture Gallery Dresden, Germany |
| The Judgement of Paris | Cranach, Lucas | 13 1/2" x 8 3/4" |  |
1530 | Northern Renaissance | oil on canvas | The Metropolitan Museum of Art |
| The Nightmare | Crumb, Robert |  |
c.1980 | Comic Book | |||
| Persistence of Memory | Dali, Salvidor | 9 1/2" x 13" |  |
1931 | Surrealism | oil on canvas | The Museum of Modern Art, N.Y. |
| Don Quixote Attacking The Windmills | Daumier, Honore | 1/4" X 33" |  |
c.1866 | Romanticism | oil on canvas | Collection Mr. Charles S. Payson, New York |
| Rue Transnonain | Daumier, Honore` | 11 1/2" x 17 5/8" |  |
1834 | French Realism | Lithograph | The Cleveland Museum of Art |
| Death of Socrates | David, Jacques-Louis | 51" X77 1/4" |  |
1787 | Neo-Classicism | oil on canvas | Metropolitain Museum of Art, New York |
| Oath of the Horatii | David, Jacques-Louis | 10'10"x14' |  |
1784 | Neo-Classicism | oil on canvas | Musee du Louvre, Paris |
| War Between the Romans and the Sabines | David, Jacues Louis |  |
1799 | French Neoclassicism | oil on canvas | Louvre Museum, Paris | |
| Woman I | deKooning, Willem | 6' 2 7/8" X 4' 10" |  |
1952 | Abstract Expressionism | oil on canvas | Museum
of Modern Art, New York Museum of Modern Art, New York |
|
Death
of Sardanapalous |
Delacroix, Eugene |  |
1827 | Romanticism | oil on canvas | Musee du Louvre | |
|
Death of Sardanapalous |
Delacroix, Eugene |  |
1827 | Romanticism | oil on canvas | Musee du Louvre | |
| Liberty Leading The People | Delacroix, Eugene | 260 X 325 cm |  |
1830 | Romanticism | oil on canvas | Louvre, Paris |
| Virgin and Child Angels | Duccio |  |
c.1300 | Italian Trecento | Tempera on panel |
Uffizzi,
Florence, Italy |
|
| Nude Descending Staircase | Duchamp | 58 x 35" |  |
1912 | Modernism | Oil on canvas | Philadelphia Museum of Art |
| The Knight, Death and the Devil | Durer, Albrecht | 9 7/8" X 7 1/2" |  |
1513 | Northern Renaissance | engraving | Museum of Fine Arts, Boston |
| The Great Piece of Turf | Durer, Albrecht | 16 1/4" x 12 3/8" |  |
1503 | Northern Renaissance | watercolor | Albertina Collection, Vienna |
| Self-Portrait | Durer, Albrecht | 52 X 41 cm |  |
1497 | Northern Renaissance | oil on panel | Museo del Prado, Madrid |
| William Rush Sculpting His Allegorical figure of the Schuylkill River | Eakins, Thomas | 20"
x 26" |
 |
1877 | American Realism | oil on canvas | Philadelphia Museum of Art |
| The Swing | Fragonard, Jean-Honore` | 31 7/8" X 25 1/4" |  |
1766 | Rococo | oil on canvas | Wallace Collection, London |
| The Polar Sea | Friedrich, Caspar David | 38 1/2" x 50 1/2" |  |
1824 | Romanticism | oil on canvas | Kunsthalle, Hamburg |
| The Nightmare | Fuseli, John Henry | 127 x 102 cm |  |
1781-87 | Romanticism | oil on canvas | Detroit Institute of the Arts |
| Radha on Her Way to Meet Krishma | Garhwal | 35.5 X 29 cm. |  |
1780 | Rajput | tempera | Victoria and Albert Museum |
| Violin and Palette | Georges, Braque | 36 1/8" X 16 7/8" |  |
1909 | French Cubist/Fauvist | oil on canvas | Solomon R. Guggenheim Museum |
| Raft
of the Medusa (preparatory sketch) |
Gericault, Theodore | 16' 1" X 23' 6" |  |
1818-19 | Romanticism | oil on canvas | The Louvre, Paris |
| Raft of the Medusa | Gericault, Theodore | 16' 1" X 23' 6" | 
close up 1 2 3 |
1818-19 | Romanticism | oil on canvas | The Louvre, Paris |
| Gates
of Paradise East Doors |
Ghiberti | h.
15' |
|
1425-52 | H.
Renaissance |
bronze |
San
Giovanni Baptistry Florence, Italy |
| Gates
of Paradise (detail) |
Ghiberti |  |
1425-52 | H.
Renaissance |
bronze |
Museo
del Opera del Duomo, Florence, Italy |
|
| Pointing Man | Giacometti | h.
6' |
 |
1947 |
bronze |
Tate
Gallery, London |
|
| Lamentation | Giotto | approx. 8' x 8' |  |
1305 | Trecento | Fresco | Arena Chapel, Padua, Italy |
| The 3rd of May 1808 | Goya, Francisco | 8' 9" X 13' 4" |  |
1814 | Romanticism | oil on canvas | The Prado, Madrid |
| Christ Driving the Traders from the Temple | Greco, El | 25 3/4"x 32 3/4" | 
|
c.1570 | Mannerist | oil on panel | National Gallery of Art, Washington D.C. |
| Laocoon | Greco, El (Domenico Theotocopoulos) | 54 1/8" x 67 1/8" |  |
c. 1610 | Mannerism | oil on canvas | National Gallery of Art, Washington |
| Fit For Active Service | Grosz, George | 20"x14 3/8" |  |
1918 | German
Expressionism |
pen and brush drawing | |
| Just What is it That Makes Today's House So Different? So Appealing? | Hamilton | 10 1/4" X 9 1/4" |  |
1956 | Pop Art | collage | Kunsthalle, Tubingen |
| Still-Life | Heda, Willem | 16 7/8" X 22 7/8" |  |
1634 | Dutch | oil on panel | Museum Boymans-VanBeunigen, Rotterdam |
| The Peaceable Kingdom | Hicks, Edward | 30" x 34" |  |
c. 1844 | American Naïve | oil on canvas | N.Y. State Historical Society |
| Mother Earth Laid Bare | Hogue, Alexander | 40"x56" |  |
1936 | American Regionalism | oil on canvas | |
| Hokusai, Katushika |  |
1840 | Ukiyo-e | color woodblock print | |||
| Wave at Kanagawa | Hokusai, Katushika | 10 1/4" X 15 1/8" |  |
1830 | Ukiyo-e | color woodblock print | Honolulu Academy of Arts, James A. Michener Collection |
| Nighthawks | Hopper, Edward | 30x60" |  |
1942 | Surrealism | oil on canvas | The Art Institute of Chicago |
| Oedipus and the Sphinx | Ingres, Jean-Auguste-Dominique | 74 1/2" X 56 1/2" |  |
1808 | Neoclassicism | oil on canvas | Louvre, Paris |
| Black Lines No. 189 | Kandinsky, Vassily | 4' 3" X 4' 3 1/2" |  |
1913 | Transcendentalism | oil on canvas | Solomon R. Guggenheim Museum, New York |
| State Hospital | Kienholz | Installation approx. 12'x15'x10' |  |
1969 | mixed media | Stockholm National Museum | |
| Death and Life | Klimt, Gustave | 178 X 198 cm |  |
1916 | Vienna Secession | oil on canvas | Private Collection, Vienna |
| Plantation Overseer and His Field Hand, near Clarksdale, Mississippi | Lange, Dorthea | 8x10" |  |
1936 | Social Realism | photograph | Oakland Museum of California |
| At the Moulin Rouge | Lautrec | 48x55" |  |
1892-95 | Post-Impresionist | oil on canvas | Art Institute of Chicago |
| The City | Leger | 91x177" |  |
1919 | Cubist | oil on canvas | Philadelphia Museum of Art |
| Mona Lisa | Leonardo da Vinci | 30 1/4" X 21" |  |
c.1503-5 | Italian
High Renaissance |
oil on panel | The Louvre, Paris |
| Lindisfarngospel | 13x9" |  |
700 AD | Early Medieval | tempera on velum | British Library, London | |
| Lascaux Caves, Hall of Bulls, Right Wall | Magdalenian | 
 |
35,000 B.P. | Magdalenian | cave
walls |
France |
|
| The Door to Freedom | Magritte, Rene | 80 x 60 cm |  |
1936 | Surrealism | oil on canvas | |
| Ceci n'est pas une pipe "This is not a pipe." | Magritte, Rene | 23 5/8" x 37" |  |
c.1928-1929 | Surrealism | oil on canvas | Los Angeles County Museum of Art |
| The Human Condition | Magritte,Rene | 100x81 cm |  |
1933 | Surrealism | oil on canvas | Private collection |
| The Holy Trinity With The Virgin, St. John and Two Donors | Masaccio | 22'
x 10' |
 |
1425 | Early Renaissance | fresco | Sta.
Maria Novella, Florence, Italy |
| Large Reclining Nude (The Pink Nude) | Matisse, Henri | 26" X 36 1/2 " |  |
1935 | French Modern | oil on canvas | Baltimore Museum of Art |
| Harmony in Red | Matisse, Henri | 72"x97" |  |
1908-1909 | French Modern | oil on canvas | State Hermitage Museum, St. Petersburg, Russia |
| Creation of Adam | Michelangelo | appox. 10' x 20' | |
1508-12 | H. High Renaissance | fresco | Sistine Chapel, Vatican, Rome |
| David | Michelangelo | height: 13'-5" | 
|
1501-04 | High Renaissance | marble | Galeria dell'Academia, Florence, Italy |
| Pieta | Michelangelo | h.69" | 
 |
1530 | High Renaissance | marble | St. Peters, Rome |
| Woman Haunted by Passage of the Bird-Dragonfly Omen of Bad News | Miro, Joan | 31 1/2" X 124" |  |
1938 | Surrealism | oil
on canvas |
Toledo Museum of Art, Ohio |
| On the Bank of the, Seine at Bennecourt | Monet, Claude | 815cm x 100.7cm |  |
1868 | Impressionism | oil on canvas | The Art Institute of Chicago |
| The Scream | Munch, Edvard | 36" X 29" |  |
1896 | Expressionism |
woodblock
print |
National Museum, Oslo |
| Jealousy | Munch, Evard | 26" X 39" |  |
1895 | Expressionism | oil on canvas | The Munch Museum, Oslo, Norway |
| Black Iris | O'Keefe, Georgia | 32" X 25.8" |  |
1926 | American Modern | oil on canvas | |
| Clothespin, 1976 | Oldenburg, Claes | h. 13' |  |
1975 |
American
Contemporary |
COR-TEN Steel | Philadelphia |
| The Interior of the Pantheon | Panini, Giovanni Paolo | 50 1/2" x 39" |  |
c.1740 | oil on canvas | The National Gallery of Art, Washington D.C. | |
| American Gothic | Parks, Gordon |  |
1942 | photograph | Brooklyn Museum of Art | ||
| First study for Guernica | Picasso, Pablo | 8x10" |
 |
May 1937 | preparatory
sketch |
pencil
on paper |
Reina Sofía Museum, Madrid, Spain |
| Guernica | Picasso, Pablo | 11' 5 1/2" X 25' 5 1/4" |  detail |
1937 | Cubism | oil on canvas | Museo
Nacional Centro de Arte Reina Sofía, Madrid, Spain |
| Three Musicians | Picasso, Pablo | 6'7"x7'4" |  |
1921 | Cubism | oil on canvas | Museum of Modern Art, New York |
| Autumn Rhythm | Pollock, Jackson | 8'9"x17'3" |  |
1950 | Abstract Expressionism | oil on canvas | Metropolitain Museum of Art, N.Y. |
| Holy Family On The Steps | Poussin, Nicholas | 27" X 38 1/2" |  |
1648 | Baroque Classicism | oil on canvas | The
National Gallery of Art, Washington, D.C. |
| The Rape of the Sabine Women | Poussin, Nicolas | 60x68" |  |
c.1636 | Baroque Classicism | oil on canvas | Museum of Art, New York |
| Echo et Narcisse | Poussin, Nicolas | 74x100 cm |  |
c.1627-28 | Baroque Classicism | oil on canvas | Musee du Louvre, Paris |
| Self | Quinn, Marc | 81 X 23 1/2" X 23 1/2" | 
|
1991 | Post Modern | blood, stainless steel, perspex and refrigeration equipment | Saatchi Collection, London |
| St. George and The Dragon | Raphael | 28.5 X 21.5 cm |  |
1504-06 | High Renaissance | oil on panel | National Gallery of Art, Washington D.C. |
| The School Of Athens | Raphael, Sanzio | appx. 18' X 26' |  |
1509 | High Reniaissance | fresco | Stanza della Segnatura, Vatican, Rome |
| The Hundred Guilder Print | Rembrandt | 11 1/2" x 15 1/2" |  |
1650 | Dutch Baroque | etching | Rijksmuseum, Amsterdam |
| The Luncheon of Boating Party | Renoir, Pierre-Auguste | 51"x68" |  |
1881 | Impressionism | oil on canvas | The Phillips Collection, Washington D.C. |
| The Liberation of the Peon | Rivera, Diego | 7 |
